Sioux Indian Warrior Wahk Ta Ge Li 30×44 Karl Bodmer Native American Indian Art

Sioux_Indian_Warrior_Wahk_Ta_Ge_Li_30x44_Karl_Bodmer_Native_American_Indian_Art_01_gcvk
Sioux Indian Warrior Wahk Ta Ge Li 30x44 Karl Bodmer Native American Indian Art

Sioux Indian Warrior Wahk Ta Ge Li 30x44 Karl Bodmer Native American Indian Art
Sioux Indian Warrior Wahk Ta Ge Li. “Sioux Indian Warrior Wahk Ta Ge Li” Karl Bodmer Native American Indian Art print. Limited to 100 prints, each print is hand numbered. The image is printed on mould-made, 100% cotton rag watercolor paper imported from France. The image size is 37×26 inches. The paper size is 44×30 inches. The image is printed using specially engineered ink technology for optimum image quality and over 100 years of lightfastness. Guaranteed to be new and in mint condition. Johann Carl Bodmer (11 February 1809 – 30 October 1893) was a printmaker, etcher, lithographer, zinc engraver, draftsman, painter, illustrator and hunter. Known as Karl Bodmer in literature and paintings, as a Swiss and French citizen his name has been listed as Johann Karl Bodmer and Jean-Charles Bodmer respectively. After 1843, likely as a result of his son Charles-Henry Barbizon, he began to sign his works K Bodmer. Karl Bodmer was well known in Germany for his watercolors, drawings and aquatints of cities and landscapes of the Rhine, Mosel and Lahn rivers. As a member of the Barbizon School – a French landscape painting group from the mid-19th century, he created many oil paintings with animal motifs as well as wood engravings, drawings, and book illustrations. Best known in the United States as a painter who captured the American West of the 19th century with extremely accurate depictions of its inhabitants. He accompanied German explorer Prince Maximilian zu Wied-Neuwied from 1832 through 1834 on his Missouri River expedition. He was hired as an artist by Maximilian with the specific intent of traveling through the American West and recording images of cities, rivers, towns and people they saw along the way, including many images of Native Americans along the Missouri and that region. Bodmer was made a Knight in the French Legion of Honour in 1877. Many of Bodmer’s work was chronicled in Prince Maximilian’s book entitled Maximilian Prince of Wied’s Travels in the Interior of North America. Look and see what other collectors have said! The art print came today and it looks great. We’re building a new house and this will look great. The Print arrived today, and I must say that it is even more beautiful than I had imagined. I know I will enjoy it for a long time. So pleased to be purchasing this art print of yours. It is beautiful and will, I’m sure, look stunning in the home we will soon be building in the city. Hi, I received my print and I love it! It will have a place of honor in our home. Thanks for the prompt service. It is absolutely beautiful. I can’t wait to get it up on my wall soon. Thank you so much, not only for the lovely print, but for packing it so well. I just wanted to drop you a line and tell you how nice the picture is. In fact, much nicer in person than I thought. I can hardly wait to get it framed. Just a brief note to tell you how much I love my print. Notify me if you have any other prints available….. I have received your lovely print. It will be a beautiful addition to my home. It will look great hanging with my other prints. I received the print on Tuesday. Thanks for the fast turnaround!!! Most collectors like to get their own frames. (Guarantee) Everything is guaranteed. Check out my feedback Profile! Thank you for your business. This item is in the category “Art\Art Prints”. The seller is “isellart” and is located in this country: US. This item can be shipped worldwide.
  • Style: Vintage
  • Date of Creation: 2000-Now
  • Edition Size: 100
  • Listed By: Dealer or Reseller
  • Original/Reproduction: Original Print
  • Print Type: Giclee & Iris Print
  • Signed: Signed
  • Edition Type: Limited Edition
  • Features: Limited Edition, Numbered
  • Material: Matte Paper
  • Production Technique: Giclee & Iris Print
  • Type: Print

Sioux Indian Warrior Wahk Ta Ge Li 30x44 Karl Bodmer Native American Indian Art

Pawnee Warrior 30×44 George Catlin Numbered Edition Native American Indian Art

Pawnee_Warrior_30x44_George_Catlin_Numbered_Edition_Native_American_Indian_Art_01_hc
Pawnee Warrior 30x44 George Catlin Numbered Edition Native American Indian Art

Pawnee Warrior 30x44 George Catlin Numbered Edition Native American Indian Art
“Pawnee Warrior” George Catlin Native American Indian Art print. Limited to 100 prints, each print is hand numbered. The image is printed on mould-made, 100% cotton rag watercolor paper imported from France. The image size is 30×25 inches. The paper size is 44 x 30 inches. The image is printed using specially engineered ink technology for optimum image quality and over 100 years of lightfastness. Guaranteed to be new and in mint condition. George Catlin (July 26, 1796 – December 23, 1872) was an American painter, author and traveler who specialized in portraits of Native Americans in the Old West. Catlin began his journey in 1830 when he accompanied General William Clark on a diplomatic mission up the Mississippi River into Native American territory. Louis became Catlin’s base of operations for five trips he took between 1830 and 1836, eventually visiting fifty tribes. Two years later he ascended the Missouri River over 3000 km to Fort Union Trading Post, near what is now the North Dakota/Montana border, where he spent several weeks among indigenous people who were still relatively untouched by European civilization. He visited eighteen tribes, including the Pawnee, Omaha, and Ponca in the south and the Mandan, Hidatsa, Cheyenne, Crow, Assiniboine, and Blackfeet to the north. There, at the edge of the frontier, he produced the most vivid and penetrating portraits of his career. During later trips along the Arkansas, Red and Mississippi rivers, as well as visits to Florida and the Great Lakes, he produced more than 500 paintings and gathered a substantial collection of artifacts. Look and see what other collectors have said! The art print came today and it looks great. We’re building a new house and this will look great. The Print arrived today, and I must say that it is even more beautiful than I had imagined. I know I will enjoy it for a long time. So pleased to be purchasing this art print of yours. It is beautiful and will, I’m sure, look stunning in the home we will soon be building in the city. Hi, I received my print and I love it! It will have a place of honor in our home. Thanks for the prompt service. It is absolutely beautiful. I can’t wait to get it up on my wall soon. Thank you so much, not only for the lovely print, but for packing it so well. I just wanted to drop you a line and tell you how nice the picture is. In fact, much nicer in person than I thought. I can hardly wait to get it framed. Just a brief note to tell you how much I love my print. Notify me if you have any other prints available….. I have received your lovely print. It will be a beautiful addition to my home. It will look great hanging with my other prints. I received the print on Tuesday. Thanks for the fast turnaround!!! Most collectors like to get their own frames. (Guarantee) Everything is guaranteed. Check out my feedback Profile! Thank you for your business. This item is in the category “Art\Art Prints”. The seller is “isellart” and is located in this country: US. This item can be shipped worldwide.
  • Style: Art Deco
  • Date of Creation: 2000-Now
  • Edition Size: 100
  • Listed By: Dealer or Reseller
  • Original/Reproduction: Original Print
  • Print Type: Giclee & Iris Print
  • Signed: Signed
  • Edition Type: Limited Edition
  • Features: Limited Edition, Numbered
  • Material: Matte Paper
  • Production Technique: Giclee & Iris Print
  • Type: Print

Pawnee Warrior 30x44 George Catlin Numbered Edition Native American Indian Art

Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics

Vtg_Native_American_Indian_1_Feather_Eagle_Warrior_Statue_Metal_4_1_2_As_Pics_01_le
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics

Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics
Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics. This item is in the category “Collectibles\Decorative Collectibles\Sculptures & Figurines”. The seller is “jankl_5345″ and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.
  • Brand: Native American
  • Type: Statue
  • Collection: Nativity
  • Material: Metal
  • Finish: Metallic
  • Subject: Native American

Vtg Native American Indian 1 Feather Eagle Warrior Statue Metal 4 1/2 As Pics

Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art

Karl_Bodmer_Sioux_Indian_Warrior_Wa_Tae_Ge_Li_Native_American_Art_01_guf
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art

Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art
Karl Bodmer- Vintage Sioux Indian Warrior Wa Tae Ge Li, Native American Art. With Frame 24.5″ X 19.5″. Without frame 17″ X 12.5″. The frame is more of a shadow box and the glue that holds the glass in place has come apart. The glass just lays inside. SEE PICS FOR DETAILS. It’s probably definitely fixable or could be reframed. The piece itself is in great condition. This is a framed print of the Bodmer painting The Big Soldier/A Sioux Warrior/Wahktageli painted May 26, 1833 at the Sioux Agency, Fort Lookout on the Missouri River. This item is in the category “Art\Art Prints”. The seller is “phasetwo37″ and is located in this country: US. This item can be shipped worldwide.
  • Unit of Sale: Single Piece
  • Signed By: Karl Bodmer
  • Signed: Signed
  • Item Length: 19.5\
  • Framing: Matted & Framed
  • Listed By: Dealer or Reseller
  • Type: Print
  • Edition Type: Limited Edition
  • Item Height: 24.5\
  • Style: Art Deco
  • Original/Reproduction: Original Print
  • Theme: Americana
  • Culture: Sioux

Karl Bodmer- Sioux Indian Warrior Wa Tae Ge Li Native American Art

1900/72 Vintage Matted EDWARD CURTIS Native American Indian Atsina Warrior 16X12

1900_72_Vintage_Matted_EDWARD_CURTIS_Native_American_Indian_Atsina_Warrior_16X12_01_kf
1900/72 Vintage Matted EDWARD CURTIS Native American Indian Atsina Warrior 16X12

1900/72 Vintage Matted EDWARD CURTIS Native American Indian Atsina Warrior 16X12
Date Of Negative: Circa 1900. Date Of Print: 1972. Type Of Print: Original Sepia. Toned Photo Engraving Made from the Original Photogravure of EDWARD S. Paper: Medium weight – Matte Finish. Approx Image Size Inches: 11.5 x 9 inches. Approx Image Size Metric: 29 x 23 centimetres. Mounted: Yes, Professionally dry mounted on Archival Presentation Mount Board. Mount Board Size: 16″ x 12″ inches. Matted: Yes, White 16″ x 12″ inches, Museum Grade acid-free sturdy 4ply Mat. Condition Grade: Extra Fine ++. Registered Vintage Photogravure Archive Serial Number: Yes. Tamper Proof Hologram: Yes. Certificate Of Authenticity (COA): Yes – individual hand signed COA from Vintage Photogravure. VINTAGE PHOTOGRAVURE is pleased to offer an original (NOT a computer scanned reprint), authentic 1972 Sepia toned photo engraving. This wonderful Duotone comes already Mounted and Matted and will frame and display beautifully! Our Mounts and Mats are the highest quality acid-free sturdy 4ply Museum Grade, board. This Duotone Print is guaranteed to be Original and comes with a hand-signed CERTIFICATE OF AUTHENTICITY (COA) and its accompanying Tamper-Proof Hologram. It comes with a unique registered serial number from the Vintage Photogravure Archive & Database. The watermarked word “Vintage Photogravure” does not appear on the actual print itself. And browse our World-Class Collection of authentic Vintage Photogravure prints. Check our other products. 1984 BRUCE WEBER Vintage Photo Gravure print 16X20 Football Andrew & John Kenner. 1983 Bruce Weber Male Semi Nude Fencing Matted 20″ x 16″ Photo Gravure Print. 1985 BRUCE WEBER Vintage Photo Gravure Print 16X20 Male Semi Nude Model Art. Edward Sheriff Curtis was born in 1868 near Whitewater Wisconsin, to the Reverend Asahel &#####x201C;Johnston&#####x201D; Curtis. Curtis was an early enthusiast of the new field of photography, building his own camera at 16 years of age. He then became an apprentice photographer at the age of 17, in St Paul Minnesota. He set up a studio in partnership with Thomas Guptill in 1887, after the family moved to Seattle, as photographers and photo engravers. His big break came in 1906 when J. Morgan, the wealthy banker, commissioned Curtis to create a series of photographs of the Native Americans. The project lasted more than 20 years, resulting in 20 volumes of more than 2000 photographs in each volume. Finally, over 200 sets of photographs were published. Curtis also recorded over 10000 wax cylinder recordings of Native American language and music during the same period, as his goal was to preserve this vanishing lifestyle of one of the &#####x201C;great races of mankind&#####x201D. His documentary work is, in many cases, the only written record of the over 80 individual tribes he visited. He even made a film, called rather dramatically &#####x201C;In the land of the headhunters&#####x201D;, which was first shown in 1914, simultaneously in New York and Seattle. It was a critical success, but a commercial failure. Although praised by critics it was largely a work of imagination, and by ethnographical standards overdramatized, to appeal to the public at large. His work is highly collectible and can be found in museums and important collections around the world. This photogravure is guaranteed to be authentic and comes with a hand-signed Certificate Of Authenticity. Each COA, with its unique individual, registered serial number from the Vintage Photogravure Archive & Database, has a corresponding numbered, Tamper Proof, Hologram attached to the back of the Archival acid-free backing board your print is mounted on. This is an original vintage print from the last Century, not a modern reprint. It has been professionally dry mounted on a museum grade mat board and is ready for fitting into a standard size frame. Our client’s peace of mind is our number one concern and this is what has inspired our unique tamper-proof holographic COA system. Here at vintage photogravure as we feel that having a certificate of authenticity with each professionally mounted and matted print adds extra value for the future, as it provides provenance and a record of the guaranteed authenticity of each individual print. We guarantee the authenticity of all our prints with a unique serial number printed on a Certificate of Authenticity (COA for short). In addition, we put the same serial number on a tamper-proof holographic seal, on the back of the museum-quality mount board on which the print has been professionally dry mounted. The COA certificate of authenticity which comes with your vintage artwork should be kept with the print or otherwise kept in a safe place as for security reasons we cannot issue duplicates. We use custom-made rigid foam core protection for all our fully matted prints, that after having been professionally dry mounted on acid-free backing boards, are protected by individual ultra clear print protectors. Finally, the entire construction is further protected by a waterproof postal sack. Here at Vintage Photogravure, we stock only the finest vintage photogravures and antique prints. All our prints are professionally mounted 4ply Museum Grade, acid-free mount board. This watermark word does not appear on the original vintage print itself. Please refer to the. You are covered by the. If you receive an item that is not as described in the listing. The first photogravures were developed in France by someone with a most unusual name, Nic&#######xE9;phore Ni&#######xE9;pce. The word photogravure itself is indeed a French word. In England, the process was further developed by Henry Fox Talbot. Both of these men were pioneers in the field of photography in general and the photogravure process came about as simply a way to make photographs permanent. It was also a way to reproduce them by printing them on paper using traditional printing presses of the day. The final version of the process, still used today, was developed by the Czech painter Carol Klic in 1878, who modified Talbot’s process to create the Talbot-Klic process. A photogravure is unique in its ability to register a wide variety of rich deep tones, as the amount of ink transferred from the plate to the print is significantly greater than with today’s more commonly used lithographic processes. Photogravure creates its wide range of tones by transferring etching ink from an etched copper plate onto special paper which is first made slightly damp. It is then put through a press that forces the ink out of the recesses in the plate and onto the paper. The depth of the individual ink “wells” is many times greater in the shadow areas of the image than the paler tones. This is quite unlike the halftone process where the size of the dot is varied to create different tones. The art of photogravure was brought to a very high standard by Peter Henry Emerson and Alfred Stieglitz, in his photography magazine &#####x201C;CAMERA&#####x201D. Some photographers featured in this publication, such as Alvin Langdon Coburn, even saw their photographic work as essentially &#####x201C;Gravure&#####x201D; before anything else. The Photogravure process was eventually replaced by the convenience of the silver gelatin process, and the last notable use of the process was in America by the photographer of the indigenous people of that continent, Edward S Curtis, with his amazing set of Gravures from the 1920s. Photogravure did continue, however, in a limited way, primarily as a fine art process. A notable major portfolio was that of Paul Strand, with his photographs from Mexico from 1940. This portfolio was re-issued by the Da Capo press in 1967. The art form continued, primarily in Europe, with publications such as &#####x201C;APERTURE&#####x201D. I’m pleased to say that today the process of photogravure is still alive and well in a number of photographic workshops around the globe. The Technique in Theory. To get an idea of the basic principles involved in the Photographic process I invite you to imagine, if you will, a shiny polished copper plate 8 inches by 10 inches in size. Now take an imaginary sharp object, such as a penknife, and scratch your initials twice. Once lightly and then a second time more deeply, into the copper plate. We use copper because it is a relatively soft metal. Now dip a handkerchief in a little black ink and rub some ink into the scratches you have made. Take a clean piece of cotton cloth, and wipe the surface of the plate clean. Try as you might the ink stays put in the scratches. Now to print your initials, we take a dampened piece of specially made paper and run it through a printing press with a heavy steel roller, which presses the paper into the groove of the scratched initials. As you have wiped the rest of the plate clean only your initials will be printed. The deeply scratched initials will hold more black ink, and so print darker. Now imagine that instead of scratching or engraving your initials directly into the copper plate, you first applied a film of acid-resistant material to your copper plate, such as colored varnish. After letting it dry, imagine you scratch your initials into this film of colored varnish rather than the underlying copper plate. First, scratch your initials lightly, then a second time a little more heavily, but only into the film, not the copperplate itself. Now place the copper plate in an imaginary tray full of diluted acid, for say 20 minutes, then remove the plate and dissolve off the protective varnish film. Now you have a plate with your initials carved into it by the action of the acid on the copper plate. Then you remove the protective varnish film, and this acid-etched groove will hold ink even after you clean the surface of the copper plate. The Photographic Element of the Process. If we use a light-sensitive, acid-resisting gelatin coating on our copper plate, we can expose it to a hardening dose of UV rays through an 8 by 10 piece of film with an image on it. Where the light passes through the film containing the image, it hardens the UV sensitive gelatin coating. Where the gelatin has been hardened by the UV light, it will stick to the copper plate and not be washed off, and so protect the smooth surface of the copper plate when it is immersed in the acid bath. By contrast, the areas which have not been hardened will wash off, allowing the acid to etch into the plate, creating small pockets where the ink can hide, until forced out into the paper surface by the steel roller of the etching press. By using a special Photogravure screen in combination with the transparent image, we can create more depth in the darks and more subtlety in the mid-tones. This special photogravure screen is sandwiched with a transparent film containing the image to be reproduced. It is then exposed to the hardening effect of the UV light. It is even possible to simply leave this photographic sandwich out in the sun too harden the acid-resistant gelatin film. When printing in a dark room using the modern silver gelatin process, the photographic image is projected using a &#####x201C;negative&#####x201D; of the image. The light passing through the transparent areas of this negative will activate the silver halide crystals in the gelatin film on the photographic paper, and turn them dark. With the photogravure process, however, we must replace the &#####x201C;negative&#####x201D; with a &#####x201C;positive&#####x201D;, as the dark part of the final image requires the UV sensitive gelatin film to not receive light. This is so that the gelatin coating in the dark parts of the image will not be hardened by the UV rays, and so wash off afterward. This allows the acid to eat into the plate in these areas and so the plate will hold the black ink for printing the darks. This is why we use a &#####x201C;positive&#####x201D; made by contact printing from the original negative. If you look at the surface of a photograph of a photogravure print through a magnifying glass, you will see the texture of the fine photogravure screen used to enhance the printing process. The Photogravure Technique in Practice. There are many stages in the creation of photographic plates before printing can begin. First of all, a continuous film positive is created using the photographer’s original negative. The reason for this is you will already know from the explanation above. The negative can be enlarged to create a much bigger printable positive, just as in the modern silver gelatin printing process. The sheet of positive film is then developed to produce a wide range of continuous tones. A sheet of pigmented gelatin tissue is sensitized by dipping it into a solution of potassium dichromate at 3.5% concentration for 3 minutes. It must then be dried on a plexiglass/perspex/acrylic sheet before we can progress to stage 3. Normally the sheet of pigmented gelatin will be ready one day later. After making a sandwich of the continuous tone positive on top of the pigmented gelatin sheet, it is exposed to ultraviolet light. A second exposure is then made to a fine stochastic or Mezzotint screen. Another possibility at this stage is to coat the copper plate with a fine dusting of rosin, as used in the aquatint etching process, which is then fixed onto the copper plate by heating it until it melts. This provides a random grain resist. The exposure to the ultraviolet light through the continuous tone positive and the Mezzotint screen or the aquatint rosin resist, hardens the gelatin in direct proportion to the light penetration through the two sheets. Stage 4 of the photogravure process is to adhere to the exposed gelatin tissue to the polished surface of the copper plate. This is done underwater, where it is squeezed onto the plate, and then the excess water is wiped off. Now the paper backing is removed in hot water and the unexposed soft gelatin is washed away. The more that the gelatin has been exposed to the UV light, the more it will remain on the plate, and so protect it from the acid bath to come. The resistant gelatin is dried and then the edges and back of the plate must be stopped out, which means being given a coat of colored varnish. This will protect the sides and the back of the copper plate from the effect of the acid. Now the plate can be etched in a bath of ferric chloride acid solution, using a scale measured in degrees Baum&#######xE9. The plate is immersed in a series of acid baths starting with the strongest, and then progressing through baths of increasingly weaker acid solutions. The ferric chloride acid solution passes through gelatin image, to eat into the copper plate, producing tiny &#####x201C;wells&#####x201D; of different depths, which will hold ink in varying degrees. The photogravure screen or the aquatint resist, depending and which was used, created a textured &#####x201C;tooth&#####x201D; in the plate, which helps the plate hold ink. These individual &#####x201C;wells of ink&#####x201D; vary in depth, and this feature is a unique characteristic of the photogravure process. Its time now to clean the plate and prepare for printing. There is little difference in practice in printing a photogravure plate, to any other intaglio plate. It is most similar to the aquatint etching printing process. The ink used in photogravure printing is of a stiff oily consistency. This is to ensure that it stays put in the small recesses etched into the copper plate. Using a rubber brayer or alternatively a stiff squeegee, the ink is applied to the entire surface of the plate to be printed. The plate is then wiped to remove the excess ink. This wiping also helps to drive the stiff ink into the deepest crevices in the plate. The final wiping is done using the palm of the hand, in a slight glancing action. Now the polished parts of the plate, which will print as white, have been thoroughly cleaned of ink. The last part of the process is to clean the edges of the plate before it is ready to be placed on the bed of the intaglio press. Prior to printing the plate is covered with a sheet of damp rag-based paper, followed by 3 thin woolen blankets. These woolen blankets help distribute the pressure more evenly, pushing the soft damp paper into the inky hollows in the plate. Finally, the plate is run through the press, and the high pressure forces the dampened paper into the ink-filled wells of the plate. This transfers the ink onto the paper creating the final print. Now the damp print must be gently dried between sheets of blotting paper and placed under weights, which ensures that the print remains flat as it dries. The whole process can be repeated to produce another print or the plate cleaned and stored away for future use. This item is in the category “Art\Art Prints”. The seller is “vintagephotogravure” and is located in this country: FR. This item can be shipped worldwide.
  • Features: Matted
  • Width (Inches): 12
  • Listed By: Dealer or Reseller
  • Subject: Portrait
  • Size: Medium (up to 36in.)
  • Material: Sepia Toned Photo engraving
  • Height (Inches): 16
  • Print Surface: Paper
  • Date of Creation: 1900-1949
  • Framing: Matted
  • Artist: Edward S. Curtis
  • Year of Production: Circa 1900
  • Original/Licensed Reprint: Original Print
  • Color Type: Black & White
  • Style: Realism
  • Signed: Unsigned
  • Theme: Americana
  • Type: Print

1900/72 Vintage Matted EDWARD CURTIS Native American Indian Atsina Warrior 16X12

Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free

Cochimtee_Chief_His_Wife_and_a_Warrior_by_George_Catlin_Ships_Free_01_wkh
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free

Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free
George Catlin 1796 – 1872 was an American lawyer, painter, author, and traveler, who specialized in portraits of Native Americans in the Old West. Traveling to the American West five times during the 1830s, Catlin wrote about and painted portraits that depicted the life of the Plains Indians. This beautiful Museum Quality Art Print is reproduced in the USA by Texas Art Warehouse on either Fine Art Paper unframed which is perfect for using existing frames or upcycling thrift store finds or Stretched Gallery Wrap Canvas, Black Float Framed Canvas or Paper Print Framed under Shatter Proof Plexi Glass all ready to hang right out of the box. All products are hand made by our printing and framing partner in the USA. Rolled Paper Prints are unframed and are suitable for putting into your own frame. They are not suitable to hang unframed. We use a heavy high quality archival 310gsm Fine Art Paper printed with no border and they come rolled in a tube. We find the heavier cotton paper tends to handle much better and has a beautiful rich look and vibrancy of color. 100% cotton linters. Soft textured surface. Equivalent to traditional watercolor or etching paper. Canvas is available either as a ready to hang Gallery Wrapped stretched canvas (Gallery Canvas in the option list) deep 1.25 bars, image is shown on the sides or a Black Float Framed Canvas (Canvas sides are printed black and set inside a thin wooden frame to give the appearance of the canvas floating inside the frame). Gallery Wrap & Float Framed Canvas Specs. High Quality Canvas Wall Art Manufactured in the United States. Gallery wrapped edges (image on the sides) on 1.25 deep high quality wooden stretcher bars. Genuine artist quality canvas. Poly cotton blend. Chemistry perfect gloss finish. Scratch, crack, & warp resistant. State of the art printing technology for sharp photographic reproduction and color fidelity. UL Certified GREENGUARD GOLD Ink. FSC Certified from sustainable forests. Finger jointed for strength. Warp free – will not bow. Roma Moulding – hand crafted in Italy. 5 times sanded & finished without toxins or chipping. 100% real pine wood. Professional matte black finish. 100% real wood frame with a matte black enamel finish, Shatter proof plexi glass. High Quality Framed Wall Art Manufactured in the United States. Framed Art is 18×24 inches external size including the frame. Border is a white border that is added to the the actual printed image to create the appearance of a mat Some images have been cropped to accommodate standardized framing size. Image size is 12×18 + a 2″ white border and a 1″ wooden frame. Arrives Ready to Hang right out of the box. This item is in the category “Art\Art Prints”. The seller is “texasartwarehouse” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Mexico, Australia.
  • Size & Substrate: 12×18 Black Framed Canvas
  • Features: Made in the USA
  • Production Technique: GiclĂ©e Print
  • Subject: Indian Warrior, Indian Chief, Cochimtee Chief, American Indians, Native American, Figures, Famous Paintings/Painters
  • Country/Region of Manufacture: United States
  • Material: Giclee & Iris, Canvas, Paper
  • Print Surface: Paper or Canvas
  • Artist: George Catlin
  • Original/Licensed Reprint: Reproduction
  • Style: Vintage, Americana
  • Signed: No
  • Unit of Sale: Single Piece
  • Theme: Native American, Art
  • Type: Print

Cochimtee Chief, His Wife, and a Warrior by George Catlin + Ships Free

Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue

Native_American_Indian_Art_Male_Warrior_REAL_100_BRONZE_Sculpture_Decor_Statue_01_wuz
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue

Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue
This sculpture is in perfect condition. Bronze Dimensions with Marble Base:Height 14″ x Width 12″. Marble Dimensions:11″ X 5″. Height without base: 13. A young Native American chief rides on horseback through the wilderness. He is headdress is filled with feathers obtained through acts of wisdom and bravery. The detail in this piece allows you to see the see that his face is painted and body is toned. This piece is signed by artist. Virgin Islands, however, an additional charge may be required. This item is in the category “Antiques\Other Antiques”. The seller is “bronze_vault” and is located in this country: US. This item can be shipped worldwide.
  • Material: Bronze

Native American Indian Art Male Warrior REAL 100% BRONZE Sculpture Decor Statue

Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter

Ettore_DeGrazia_Indian_Native_Warrior_Print_Signed_Limited_1961_Apache_Hunter_01_vi
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter

Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter
Ready to be framed. One owner estate sale find; original owner seems to remember 1961 as the year signed, but could be 1981. It’s hard to tell! Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter. This item is in the category “Art\Art Prints”. The seller is “azmusicsales” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Costa Rica, Panama, Trinidad and Tobago, Guatemala, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
  • Artist: Ettore DeGrazia
  • Unit of Sale: Single-Piece Work
  • Signed By: Ettore Ted DeGrazia
  • Size: Medium (up to 36in.)
  • Custom Bundle: No
  • Date of Creation: Unknown
  • Region of Origin: Arizona, USA
  • Framing: Matted
  • Personalize: No
  • Listed By: Dealer or Reseller
  • Year of Production: 1961
  • Item Height: 20 in
  • Style: Americana, Native American
  • Features: Framed, Matted, Signed, Limited Edition, Numbered
  • Culture: Native American
  • Item Width: 14 in
  • Image Orientation: Portrait
  • Signed: Yes
  • Color: Multi-Color
  • Material: Lithograph
  • Certificate of Authenticity (COA): No
  • Original/Licensed Reprint: Licensed Reprint
  • Subject: Cowboy, Figures
  • Type: Print
  • Theme: Cultures & Ethnicities
  • Production Technique: Printer
  • Country/Region of Manufacture: United States

Ettore DeGrazia Indian Native Warrior Print Signed Limited 1961 Apache Hunter

VTG Native American Indian Warrior Man Ceramic Statue Bust

VTG_Native_American_Indian_Warrior_Man_Ceramic_Statue_Bust_01_myog
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust
VTG Native American Indian Warrior Man Ceramic Statue Bust

VTG Native American Indian Warrior Man Ceramic Statue Bust
Ware as expected, lite paint loss and one small chip at the bottom of his hair tie. Other wise nice vintage hard to find item nicely painted with air brush colors are crisp and bright still. Guessing from the 40s or 50s. This item is in the category “Collectibles\Decorative Collectibles\Sculptures & Figurines”. The seller is “kscountrycrafter” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, China, Mexico, Germany, Japan, France, Australia, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Greece, Portugal, Cyprus, Slovenia, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Austria, Bahamas, Israel, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay.
  • Type: casting

VTG Native American Indian Warrior Man Ceramic Statue Bust

Arrikkara Indian Warrior 30×44 Karl Bodmer Native American Indian Art

Arrikkara_Indian_Warrior_30x44_Karl_Bodmer_Native_American_Indian_Art_01_yfw
Arrikkara Indian Warrior 30x44 Karl Bodmer Native American Indian Art

Arrikkara Indian Warrior 30x44 Karl Bodmer Native American Indian Art
“Arrikkara Indian Warrior” Karl Bodmer Native American Indian Art print. Limited to 100 prints, each print is hand numbered. The image is printed on mould-made, 100% cotton rag watercolor paper imported from France. The image size is 36×26 inches. The paper size is 44×30 inches. The image is printed using specially engineered ink technology for optimum image quality and over 100 years of lightfastness. Guaranteed to be new and in mint condition. Johann Carl Bodmer (11 February 1809 – 30 October 1893) was a printmaker, etcher, lithographer, zinc engraver, draftsman, painter, illustrator and hunter. Known as Karl Bodmer in literature and paintings, as a Swiss and French citizen his name has been listed as Johann Karl Bodmer and Jean-Charles Bodmer respectively. After 1843, likely as a result of his son Charles-Henry Barbizon, he began to sign his works K Bodmer. Karl Bodmer was well known in Germany for his watercolors, drawings and aquatints of cities and landscapes of the Rhine, Mosel and Lahn rivers. As a member of the Barbizon School – a French landscape painting group from the mid-19th century, he created many oil paintings with animal motifs as well as wood engravings, drawings, and book illustrations. Best known in the United States as a painter who captured the American West of the 19th century with extremely accurate depictions of its inhabitants. He accompanied German explorer Prince Maximilian zu Wied-Neuwied from 1832 through 1834 on his Missouri River expedition. He was hired as an artist by Maximilian with the specific intent of traveling through the American West and recording images of cities, rivers, towns and people they saw along the way, including many images of Native Americans along the Missouri and that region. Bodmer was made a Knight in the French Legion of Honour in 1877. Many of Bodmer’s work was chronicled in Prince Maximilian’s book entitled Maximilian Prince of Wied’s Travels in the Interior of North America. Look and see what other collectors have said! The art print came today and it looks great. We’re building a new house and this will look great. The Print arrived today, and I must say that it is even more beautiful than I had imagined. I know I will enjoy it for a long time. So pleased to be purchasing this art print of yours. It is beautiful and will, I’m sure, look stunning in the home we will soon be building in the city. Hi, I received my print and I love it! It will have a place of honor in our home. Thanks for the prompt service. It is absolutely beautiful. I can’t wait to get it up on my wall soon. Thank you so much, not only for the lovely print, but for packing it so well. I just wanted to drop you a line and tell you how nice the picture is. In fact, much nicer in person than I thought. I can hardly wait to get it framed. Just a brief note to tell you how much I love my print. Notify me if you have any other prints available….. I have received your lovely print. It will be a beautiful addition to my home. It will look great hanging with my other prints. I received the print on Tuesday. Thanks for the fast turnaround!!! Most collectors like to get their own frames. (Guarantee) Everything is guaranteed. Check out my feedback Profile! Thank you for your business. This item is in the category “Art\Art Prints”. The seller is “isellart” and is located in this country: US. This item can be shipped worldwide.
  • Style: Art Deco
  • Date of Creation: 2000-Now
  • Edition Size: 100
  • Listed By: Dealer or Reseller
  • Original/Reproduction: Original Print
  • Print Type: Giclee & Iris Print
  • Signed: Signed
  • Edition Type: Limited Edition
  • Subject: Western
  • Features: Limited Edition, Numbered
  • Material: Matte Paper
  • Production Technique: Giclee & Iris Print
  • Type: Print

Arrikkara Indian Warrior 30x44 Karl Bodmer Native American Indian Art